By Sophie_WLBCPublicity on Mon, 18 Jan, 2021 - 17:03
Friday January 29th 2021, 7-9pm Fundraiser for The Precious Jewel Appeal
An online exhibition in celebration of just some of the many talented visual artists in the WLBC sangha. Photographs from Viramati, paintings from Amitajyoti and John Webb (of the Ealing sangha), paper cuts from Manth Beeson. As we view their beautiful images through the magic of Zoom, each artist will introduce their work and answer your questions. There may even be a tour of one painter’s art-hung house! Showings too...
Srimala, author of Breaking Free – glimpses of a Buddhist life, is offering further glimpses in a collection of poems – No Toast, No Marmalade.
Srimala is one of our first Public Preceptors. She is now more or less retired, although still working in India to support the appointment of women Public Preceptors there. For the past 16 years she has been living at Maes Gwyn in Wales, from where most of the poems were written.
Srimala has played a crucial part in the life of the Triratna Buddhist Order – as Public and Private Preceptor, as College Member, and as beloved friend to so many. What many people may not know about her is that for years now she has been writing poems about her life, about living at Maes Gwyn in Wales, about her family and friends, about her partner Subhuti, and about hedgehogs, toast and the lack of marmalade.
By Sophie_WLBCPublicity on Tue, 13 Oct, 2020 - 13:05
Saturday October 17, 2-5pm
Register in advance for this workshop using this LINK. After registering, you will receive a confirmation email containing information about joining the event.
Explore how the disciplines of mindfulness and drawing complement each other and how approaching both in a spirit of play can be enriching and freeing. In this afternoon Retreat you will be introduced to mindful drawing, mindfulness practices and a series of guided drawing exercises.
Mindfulness gives us opportunity to engage with experience directly, free from assumptions, preferences, and...
Hello again! We’re back for a new season of The Dharma Toolkit podcast. We’ve had a wee break, passed through fleeting summer, and are turning towards the first fall/autumn of these strange, pandemic times ready to renew our own sense of connection through community with you. Welcome aboard!
Join us for a walk into the forest of the unknown. Enchantments await. Groves of images. Bridges to the unseen. A path that wanders lost until some deeper magic happens…
We are back in the realm of art and the making of images, the making of things, the making of meaning. Nagasiddhi’s trainings in technical sculpture, prop design and building, the rituals of puppetry, and carpentry with wood left by his father long ago - all these have prepared him for a...
The Triratna Arts and Culture Catalogue is an initiative to document every four years, for 40 years, a selection of Art and Culture that represents the unfolding exploration of how to convey the Dharma into a globalised culture and so form the aesthetic foundations for a society based on caring for all that lives. It will collate work for no cost to artists, and distribute work to Triratna Buddhist Centres and beyond at no cost to those institutions.
Sangharuci, an Order member based in Birmingham, UK, is now looking for artists, musicians, dancers, poets, writers, arts...
As a special treat for you all this week as we countdown to #buddhaday we will be releasing a series of dharma reflections each day…⠀
Here, Maitreyabandhu reads us a poem from his second collection called Yarn.
According to tradition, two travellers met the Buddha just after his enlightenment and became his first disciples, Tapussa and Bhallika. They disappear from literature after that point, and the Travellers from Orissa is a long dramatic monologue, written by Maitreyabandhu, imagining their story.
Abhayavajra loves painting. He loves paint itself. And sees himself more like an archaeologist, revealing something urgent and crucial about the human condition by adding rather than scraping away layers.
A totally delightful conversation about the quest to integrate and unite Dharma practice with the steady, disciplined practice of an art form. We discuss how appreciating beauty itself is like a healing force at times of stress; and how art itself can be a properly adequate response to suffering in the kind...