This talk asks us to look, and look again, at our relationship to the fine arts. Whether it’s music, painting, sculpture, performance - whatever we respond to in the Arts, Taradasa shows how we can approach it as spiritual practice. Excerpted from the talk entitled Buddhism and the Arts.
Five friends and artists who all go to the Wellington Buddhist Centre in New Zealand have just been having their second exhibition together. The artists are: Kathleen Beeler, Amalaratna, David Litchfield, Anne Munz and Achalamuni (Donald Woolford).
The name they have used for their exhibition, Dharma-Rama, is a made up one.
Achalamuni explains the origin of the name and the significance of working together: “‘Dharma’ is obvious, but the ‘Rama’ part comes not from Pali or Sanskrit but from words such as...
A deep-dive of a conversation between Abhaya and Satyalila, framing the practice of the Dharma as a path towards beauty, letting go, and liberation of the heart and mind.
Abhaya speaks frankly about the very early days of the FWBO (now Triratna) and how his understanding of Urgyen Sangharakshita’s systematic approach has evolved alongside his personal connection to his teacher and friend. We also hear how his early inspiration around the Tibetan text translated as ‘Self Liberation Through Seeing with Naked...
Each season the London Buddhist Centre publishes a wonderful magazine and programme packed full of great articles, poems, images and more.
In this edition we are treated to a celebration of the children and families in the Sangha, paintings by Kusalasara, a poem by Vishvantara, a cartoon strip on hindrances to meditation, banker-turned-Buddhist fundraiser Amalavajra, from FutureDharma Fund, on love and money, and music maker Tim Exile features in the latest instalment of Diary of a London Buddhist.