Sangharakshita describes in all its wealth of detail, the Wheel of Life. It’s really a painting but a mirror, giving one successively more profound insights into oneself, and revealing the next step in escaping the endless round.
Vadanya launches a series of talks on three great Buddhist symbols that describe the way things are: the wheel of life, the spiral path, and the ultimate goal of Enlightenment. Together they form a guide to escape from the ultimate vicious circle into the complete freedom and fulfilment of Awakening.
Here, Vadanya explores on the wheel by describing the symbolism of each of the four concentric rings which make up this rich representation of samsara, the never-ending repetition of habitual...
A very interesting introduction to the mandala here from Garava - the idea, the myth, the image, the symbol, the experience. His own practice as an artist affords him a respectful and generous perspective, from which we are able to simply sit back and learn.
We can find mandalas everywhere – in the East, in the West, in art, literature, even in dreams. Mandalas represent a resolution, or the beginnings of a resolution, of a conflict between the conscious and the unconscious.
Sangharakshita explores the symbolism of the mandala, circles of symbolic forms, found in the The Tantras (special scriptures of Vajrayana Buddhism) as a symbol of psychological and spiritual integration.
We often get ideas about the symbolism of the vajra as being tight and wilful. The language of determination can do that!
Jvalamalini looks at the importance of clarity of purpose for simplicity and meaning in life, and the powerful symbol of the vajra. This diamond-thunderbolt symbol is really more about integration then it is about powering through obstacles regardless of what the rest of our being is up to.
Karunasara takes us into the timeless world of the Dakini Vajrayogini, with an explanation of the symbolic meanings found in Tantric imagery and visualization of her, as well as an overview of her spiritual qualities.
We often think that our best defense is to protect ourselves with a barrier between ourselves and the world. On the contrary, the dakini has the complete realization that in the end there is nothing to defend. In enlightenment all we were ever defending was a pattern of defensiveness, you realize there was nothing to defend.
This is a fascinating introduction to the mandala from Garava - the idea, the myth, the image, the symbol, the experience. His own practice as an artist affords him a respectful and generous perspective, from which we are able to simply sit back and learn.
This FBA Dharmabyte is an excerpt from a 1971 talk by Sangharakshita called ‘A Mirror in the Wheel’. The Wheel of Life, described here in all its wealth of detail, is not really a painting but a mirror, giving one successively more profound insights into yourself, and revealing the next step in escaping the endless round.