Tag: Sangharakshita

The Maha Parinirvana Sutra contains a fairly detailed account of the Buddha’s last months of his earthly life. It follows him step by step – where he went, who he met, how he discoursed, what teaching he gave. By the time he embarked on his last journey he knew he was going to pass away. Being the Enlightened One, he remained calm, reflecting on his last words, his last teaching.

Excerpted from the talk The Tantric Symbolism of the Stupa...

A well read poem can help us deepen our understanding of Buddhist principles. Achala shares his practice of reflecting on impermanence through poetry. In this Dharmabyte we hear two poems. The first is entitled “Life” by Sangharakshita, the second entitled “Letter to a Nobleman in Kyoto” by Kukai, (774-835 CE), Japanese poet, scholar, painter, engineer, and great Buddhist teacher.

Translated into Marathi by Amitayush. Excerpted from the talk entitled Poems On...

After considering the history and the meaning of the title, Sangharakshita provides a summary of The White Lotus Sutra’s dramatic structure, with brief explanations of the significance of certain details.

Talk given in 1971.

This talk is part of the series Parables, Myths and Symbols of Mahayana Buddhism in the White Lotus Sutra.

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Sangharakshita takes us to the Vulture’s Peak, the summit of earthly existence, where the Buddha begins the White Lotus Sutra by speaking on infinity. With his words, (and the forthcoming myths, symbols and parables of the sutra), we are entreated to go beyond into the purely spiritual world of the transcendental.

From the talk The Drama of Cosmic Enlightenment, 1971, part of the series Parables, Myths and Symbols of Mahayana Buddhism in the White Lotus Sutra.

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